Arpeggios – God of Prog Rock

Arpeggios the God of Progressive Rock, is also known by some as Septoctimus. His sacred animals are the Camel and the Snow Goose. His genesis story tells that he was the son of a Nature Goddess and the God of Miners. Which made him a natural miner deity. He got a bad case of arrhythmia, which he caught off the Crimson King. This left him feeling fragile and drove him close to the edge. However, this also made Arpeggios an object of worship for those that stand still and listen intently to the beat of a different drum.

The primary commandment of Arpeggios is,
“The top number of thyne key signature shalt always be a prime number.”
They tend to be somewhat elitist and try to avoid lowly common time at all costs. They believe the 4th of April to be the most unlucky day of the year, and their most sacred day is the 7th of August. Whilst they consider themselves to be a forward looking faith, in reality they are more firmly stuck in the early 1980s than the carpet of a Working Men’s Club in Wigan.

Each service is lead by a group of four or more priests working together in perfect synchronicity and harmony. (There was one occasion however, when one of the priests walked off following his own special way, and then there were three.) The services of Arpeggios are notorious for their protracted sermons, which are usually in excess of 20 minutes long in order to allow time for each priest to do a solo. The worshippers in the congregation will firmly grasp a pint of ale in their hands throughout the proceedings. This is to stop them embarrassing themselves by trying to clap along. However, at the end of the service they will put their glasses on the floor and their hands together to show their appreciation.

The priesthood all dress in sparkly robes, much like kinky wizards. Every priest carries a massive bunch of 24 keys. Not only is this a la mode, these keys are for the temple door which has 24 locks. When a vocalist rings the tubular doorbells and asks for admittance, the priest inside has to use all 24 keys before the singer can come in. (This only applies to the main entrance, in total the temple has 32 doors.) Arpeggios’ priests practice a form of sacred ritual magic. This is unnecessarily complex, and can go disastrously awry if they suffer a lapse in concentration. All the chambers where spells are cast have a large cautionary sign on the wall which reads, “Focus on Your Hocus Pocus!” The rest of the temple is adorned by sacred art, all of it airbrushed.

Like many sects, they have some rituals which appear cruel and barbarous to people from other cultures, such as the Rite of Hammond Organ Tipping, which is practised by some Arpeggionians. Once on it’s back, a poor Hammond cannot right itself. It is heartlessly left there with it’s little pedals waving helplessly in the air. Then the wretched instrument is tormented with daggers to make it scream in interesting ways. There is a more humane movement within the faith to ban this brutal custom, and the recently founded “Society of Arpeggionians for the Protection of Hammond Organs” (SAPHO) is rapidly gaining support. SAPHO advocates the use of synthetic Hammond replacements and runs the Happy Haven for Harrassed Hammonds. This sanctuary has a lovely conservatory for the organs to frolic about in. If you would like to visit the sanctuary, and maybe sponsor a Hammond Organ, you will find it located in the picturesque village of Emerson on the shores of Lake Palmer. Please, please, give all you can to help the organs.

I would like to thank James R Turner @JRTwrites and Kris Hudson-Lee @nomenloony for suggesting Arpeggios.

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